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Which Samsung TV is Right for You?

Samsung TVs offer world-class picture quality, design and energy efficiency. Find the TV that’s perfect for you.

• LED Samsung LED TVs deliver breakthrough picture quality, ultra slim 1.2″ design and use 40% less power*. With mega contrast ratios and advanced internet connectivity features, these are Samsung’s best TVs ever.
• LCD Lightweight, stylish and slim, our LCD TVs promise sharp, detailed images, smooth motion quality, and Samsung’s exclusive Touch of Colour^TM design.
• Plasma Boasting a slim and sophisticated design, our plasmas create an amazing picture with smooth action scenes, the deepest blacks and brightest whites.
• TV Accessories Get the best home entertainment experience possible with Samsung accessories created just for your TV.

See Samsung 3D HDTV interactive video and press Immerse Yourself button and Next button several times one after another.

 Samsung AllShare Home Entertainment:

What do you get when you combine the break-out thrills of 3D entertainment and visually stunning picture quality with Internet@TV? The Samsung LED 7000. Action leaps off the screen with advanced 3D technology, for a truly immersive viewing experience. Internet@TV lets you get connected to the best of the web, right on your HDTV, with downloadable and customizable widgets — and coming soon, Samsung apps. Connect to friends, share pictures, shop online and more. Samsung Real 240 Hz technology delivers even the fastest onscreen motion with utterly lifelike clarity. It all comes together in a sleek design that complements nearly any décor.
Samsung UN46C7000 46-Inch 1080p 240 Hz 3D LED HDTV (Black)

RealD (Real Deal)

The stock, which opened at $16 on the New York Stock Exchange under the symbol RLD, closed Friday at $19.51, up nearly 22%. TThe price spiked as high as $21 when trading began and sold 12.5 million shares, 1.75 million more than expected, at a price above the range of $13 to $15 it had set.

The seven-year-old RealD is the dominant player in theatrical 3D systems, especially in the U.S., and is licensing its technology for 3D in the home as well as military and academic applications.

The company has yet to turn a profit and had an operating loss of $39.7 million on net revenue of $150 million in the year ended March 26.

By Scott Hettrick

__________________________________________________________________________

RealD Launches First 3D Stereoscopic Converter ‘PODs’.

3D-PODs provide a plug-and-play solution for switching from CRT (cathode-ray tube) displays to other displays without software enhancements or plug-Ins:

• LOS ANGELES — RealD Pro, the world’s most trusted 3D visualization source for industrial applications, has introduced the first 3D stereoscopic converter ‘PODs.’
• The PODs present a simple conversion solution when upgrading to a new stereoscopic display monitor, such as a DLP[R] or XPOL HDTV.

Features:

• The PODs automatically detect the output format from a connected display device and convert most stereo-enabled software applications from native stereoscopic output format to the required format for stereo viewing on the display monitor.
• The RealD converter POD provides an immediate, affordable replacement option for CRT or LCD monitor users. When combined with DLP[R] TV kits available from RealD Pro, the user simply plugs the source data into the input port on the POD via an HDMI cable and the output HDMI cable into the 3D-ready HD TV.
• The 3D converter PODs are designed specifically for research and development environments, where 3D visualization is heavily used and where departments or organizations are seeking alternatives to CRT display technology for stereoscopic applications. Industries include government and defense, entertainment, oil and gas, education, design and development, and medical.
• The RealD 3D-PODs make this transition fast, easy, and inexpensive. The 3D-PODs also enable development teams to more easily present their work in front of customers or senior management, providing greater collaboration, improving productivity, reducing prototype expenses and accelerating time to market.

“RealD’s introduction of 3D-POD technology brings yet another tool to the industry, cost effectively facilitating 3D visualization,” said Michael Lewis, CEO of RealD. “As a leader in 3D visualization systems, RealD is committed to bringing new products to market that will enhance our customers’ abilities and services.”

Notes: The three PODs include dual input to checkerboard, side-by-side to horizontal interlace or checkerboard, and page-flip to checkerboard:

• * Dual Input POD – a flexible dual stream video format conversion system that converts a dual stream of data into a checkerboard output for visualization in stereo or as simultaneous independent video streams using RealD’s new CrystalEyes 5 active eyewear. This POD also supports side-by-side conversion when using just a single input.
• * Side-by-Side (SBS) 3D-POD – receives and transmits a single HDMI compatible audio / video signal. When the content is received in RealD SBS format, it is automatically converted into either checkerboard or horizontal interlace format, depending on the connected display device.
• * Page Flip 3D-POD – converts a page-flip (frame sequential) stereo output to a checkerboard format for display on a DLP[R] TV. This POD is ideal for stereoscopic software applications used with CRTs.

About RealD

• RealD is the global leader in 3D, bringing the most advanced and enjoyable digital 3D experience to cinemas worldwide.
• RealD’s next-generation technology, deployed across the world’s largest 3D platform in 27 countries with more than 1,400 installations worldwide, provides a stunningly realistic viewing experience.
• The impact of 3D upon today’s moviemaking has been compared to the advent of color film when once there was only black and white.
• Beyond cinema, RealD is the worldwide inventor and provider of key stereoscopic technologies used in science, manufacturing, marketing, and other industries, with thirty years of scientific development behind its systems.
• RealD’s mission-critical 3D visualization technologies are used by organizations such as NASA, Pfizer, BMW, Boeing and more.

Exhibitors have a new choice in presenting digital 3D with the arrival of the MASTERIMAGE MI-2100 3D system. Providing bright vivid 3D images with an attractive cost to own the MI-2100 is a compelling choice when planning single projector digital 3D installations.

• High efficiency rotating circular polarizing filter provides left and right image separation and bright richly   colored 3D images.
• Precision drive system rotates the filter at 4,320 rpm for “triple flash” 3D images.
• Control panel for activating system functions and providing operation status updates.
• Simple sync input from the digital projector.
• System is compatible with all DLP cinema projectors and digital cinema servers.
• Quality, low cost single use polarized glasses that meet Studio supply requirements.
• No license fees or long term agreement requirements.
• Highly competitive purchase pricing.
• Simple to install stand alone system that is positioned, adjusted and locked in front of the projector and   lens.
• Easily moved between digital 3D auditoriums of varying sizes.
• Studio approved 3D image quality does not require “ghostbusting” process.

Autostereoscopic 3D LCD

MASTERIMAGE 3D’s patented TN-LCD-based autostereoscopic technology allows for direct viewing of 3D content on flat screen displays (TFT-LCD, PDP, OLED) without the need for glasses.  Our ‘Cell Matrix Parallax’ display modules allow for the highest brightness and no crosstalk (ghosting).

• Displays utilizing our ‘Cell Matrix Parallax’ technology can offer both portrait and landscape modes in 3D.  By utilizing TN-LCD technology, our displays can also switch between 2D and 3D modes.
• Furthermore, MASTERIMAGE 3D has developed and patented a special manufacturing process that allows for precise alignment between our 3D module and the display.  Our equipment aligns each pixel of both panels with a maximum tolerance of 2 microns to ensure the highest manufacturing yield.

Features

• High brightness level and wide viewing angle, delivering the sharpest and highest quality 3D images
• Elimination of crosstalk (ghosting)
• Switchable between 2D and 3D modes.  Reverse compatible with existing 2D content
• Switchable between portrait and landscape modes in 3D, unique to ‘Cell Matrix Parallax’
• Compatible with all existing flat display technologies
• Cost effective – Manufacturing simplicity resulting in high yields

Technology

• By modifying the cell structure of TN-LCDs to build the parallax barrier, we maintain cost effectiveness while greatly improving upon other parallax barrier-based technologies available in the marketplace.
• Our technology uses a group of cells, by column unit, to form the parallax barrier instead of using conventional stripe type cells.
• This methodology creates more gaps between cells, allowing for more brightness and no crosstalk.
• This also allows for the ability to switch between portrait and landscape modes, as well as the ability to switch between 2D and 3D modes, all without compromising picture quality.

Samsung 3D TV without glasses: Watch Video

Samsung’s LCD VP shows us its new 3D LCD Displays at CES 2010 including one 3D display that requires no glasses to see the 3D:

http://masterimage3d.com/

Entertaining the world in 3D since 2004. Headquartered in Burbank, CA with offices in Seoul, Korea, MASTERIMAGE 3D, LLC is a pioneer in next-generation 3D technologies. As the global leader in 3D, MASTERIMAGE 3D holds 9 patents in the areas of both stereoscopic and autostereoscopic (glasses-free) technologies. MASTERIMAGE 3D systems are currently deployed in more than 30 countries with over 1,000+ installations and counting.

MASTERIMAGE 3D, LLC is the fastest growing 3D solutions provider in the world.  With 3D applications for cinemas, flat panel  displays and mobile phones, our innovative products deliver a realistic and immersive visual experience to our customers.

MASTERIMAGE 3D is proud to lead the way in next-generation 3D design and production.  Our technologies allow for the sharpest and most stunning stereoscopic 3D experience.  MASTERIMAGE 3D has also successfully developed groundbreaking autostereoscopic technologies for glasses-free viewing of 3D content.

MASTERIMAGE 3D`s technologies enable new and creative ways of storytelling and delivering entertainment to consumers.  Currently, MASTERIMAGE 3D cinema systems are used to deliver 3D releases of major Hollywood films all over the world.  Working with Hitachi, we have also successfully commercialized the world’s first 3D mobile phone with the launch of Hitachi’s Wooo H001.  Whether in the cinema or in the palm of your hand, our technologies allow the audience to feel as if they are part of the picture, completely immersing viewers into the story.

Just as the transition from black & white to color transformed the entertainment industry,the advent of 3D is now bringing about the next visual revolution. Well positioned for leadership in this new era, MASTERIMAGE 3D is excited at helping to bring about “The Next Paradigm of Display.”

Korea’s largest theatre chain has chosen Burbank-based 3D technology company MasterImage 3D, LLC to converted 58 additional screens to 3D.

MasterImage 3D announced today that CJ CGV is converting all the rest of its 160 3D theaters to its digital 3D cinema systems and that MasterImage 3D has also installed four systems in Korea’s Lotte Cinema in Suncheon.

• These installations, combined with existing systems at Primus Cinema, Ya Woo Ri Cinemas and more theatres across Korea, bring MasterImage’s total to 175 of the country’s estimated 250 digital 3D screens, more than 70% of Korea’s total 3D exhibition market share.
• CGV Manager Sung woo Kang said, “MasterImage 3D’s system offers an outstanding value compared to other products on the market, and it is simple to install.”

CJ CGV recently opened a 3D screen in L.A. for advancing into the U.S. market.

MasterImage 3D, which also recently entered the New Zealand exhibition market with the sale of its first digital 3D cinema system to the nation’s largest multiplex franchise, Palmerston North-based Downtown Cinemas, says it has nearly doubled its worldwide installation in the past eighteen months and has installed more than 1,800 systems in 40 countries worldwide — approximately 400 in the US, 770 in Europe and 700 in Asia and the rest of the world.

“Exhibitors are recognizing that our ownership-based model and passive-glasses approach offers them a different, and often more attractive business proposition than competitive systems,” said Younghoon Lee, founder, chairman and CEO of MasterImage 3D. “From our US headquarters and offices in Asia and Europe we are aggressively converting theatre markets all over the world.”

CJ CGV was established as a joint venture of CJ Group of Korea, Golden Harvest of Hong Kong and Village Roadshow of Australia, and is now independently managed by CJ Group.

By Scott Hettrick

3D NEXT SUMMIT TAKING PLACE JUNE 14TH

Future of 3D for Films, TV, Video. Games. MObile, and the Internet

LOS ANGELES – On Monday, June 14, top executives from companies such as DirecTV, Fox Sports, Panasonic, Sony and Imax will headline the first annual 3DNext Summit. The event (www.3d-next.com) will take place at the Radisson Westside in LA, and will serve as a window into 3D’s future, looking at how 3D is transforming the business and creative process across a variety of entertainment disciplines. (6/11/2010)

Attendees will be able to view 3D demos featuring the latest 3D television screens, camera rigs, content, workflow solutions, and conversion products. The one-day event will feature a fireside chat with DirecTV senior VP Steven Roberts and Fox Sports president Eric Shanks. Keynotes include Eisuke Tsuzaki, CTO of Panasonic of America; Buzz Hays, senior VP and GM at the Sony 3D Technology Center; and Lenny Lipton, CEO of Oculus3D.

More than a dozen additional 3D experts from throughout the industry will also be speaking, and attendees will have the opportunity to network with speakers during lunch and a cocktail reception at the end of the day.

Whether you were one of 300 executives who attended 3D Next or missed it, now you can view the entire conference program! View video streaming right from your own computer, complete with MP3 Downloads and PowerPoint Slides.

Hey, 3D enthusiasts, filmmakers and professionals: Not so fast.

That was one of the main messages that emerged from the 3DNext Summit in Culver City on Monday. Although the all-day gathering of content providers, tech suppliers and the merely curious might be expected to be a non-stop celebration of the possibilities of the medium, in fact much of the conference called for a more measured response.

• “Avatar,” for instance, was frequently celebrated as the film that showed what 3D can do – but coming in a close second in mentions was the format’s main cautionary tale, “Clash of the Titans,” which came up again and again as an example of the kind of slipshod 3D that could lead to a backlash and damage the growth of the technology.

• “’Clash of the Titans’ is important here,” said Brian Rogers, the producer of an upcoming 3D version of “Godzilla,” “because it made the industry realize that you cannot do substandard 3D and charge full pricing.”

On the other hand, pointed out his fellow panelist Bob Johnston from Paradise Effects, “Clash” made enough money – close to $500 million worldwide – that it’ll be getting a sequel, albeit one that’s being shot in 3D rather than converted quickly.

“Avatar,” insisted IMAX Filmed Entertainment chairman and president Greg Foster, should not be used as an example of what the industry should do with 3D.

• “It has that secret sauce that only one movie in a generation has,” Foster said.
• “For most of us in the 3D space, using ‘Avatar’ as any kind of benchmark is really a mistake.
• It’s such an outlier on so many levels.
• ”The world of 3D, added Foster, does resemble the wild west, a frequent metaphor – “but to me, it’s more like bedlam.”

Foster was part of a panel entitled “Next Steps for 3D Film,” during which most of the panelists advised some caution in taking those next steps. While “stereographer” Keith Collea (“The Mortician”) was the sole panelist to insist that all movies could easily work in the new format, Ben Urquhart, the VP of post-production for Focus Features, said that he couldn’t think of a single title in his studio’s upcoming slate of productions that would be suited to the format.

• And Foster advised particular caution in converting movies shot in 2D, which his company had done sparingly for 3D IMAX versions of Bryan Singer’s “Superman Returns” and the last two ”Harry Potter” movies.
• “You have to be very, very careful of how you do it,” he said. “And 2D-to-3D conversion is really, really, really expensive, especially to do it the right way.”

In a later panel, Rob Hummel, the president of Prime Focus, revealed just how expensive that is – and just how reluctant studios are to spend the money to convert their catalog product for upcoming 3D television broadcasts.

• “Conversion on a feature film is generally running $55,000 to $100,000 a minute,” he said.

Become a 3D Ninja:  Stand Out From the Crowd with Top Skills 3D Art Studios Want

By Steve Pond
Published: June 15, 2010

Ordinarily, the opinion of a one-hit songwriter might not matter much in the world of entertainment technology – but in this case, the songwriter who penned the lyrics to Peter, Paul and Mary’s classic at the age of 19 also happens to be the so-called father of 3D cinema, and the closest thing to a rock star that the field has to offer.

Lenny Lipton, the songwriter and 3D guru in question, gave the closing keynote address at Monday’s 3DNext Summit in Culver City, where his status as a 30-year stereoscopic-cinema veteran responsible for a variety of innovations made him the biggest celebrity on the program.

And in contrast to many of those who’d preceded him preaching caution, Lipton was adamant that the future is 3D, and the future is now.

The reason: money.

• “People won’t admit it, but it’s all over for 2D cinema,” said Lipton, who holds more than 40 patents in the field of stereoscopic cinema and wrote the book “Foundations of Stereoscopic Cinema” in 1982. “And it’s not for creative reasons. It’s for business reasons.”
• Bussinessmen in the entertainment industry, Lipton said, have always embraced “new modalities” that allow them to increase prices. “There are remarkable parallels between the introduction of the sound cinema and the stereoscopic cinema,” he said, displaying a chart that also included the innovations of motion, sound, color, widescreen and stereoscopic
• “In every case, exhibitors are able to charge more money. And that’s why 3D cinema isn’t going away.
• “You can’t turn off color, you can’t turn off sound, you can’t turn off 3D, and you can turn off the up-charge.”
• After stints at the StereoGraphics Corporation, which he founded in 1980, and later at RealD, Lipton has now founded a new company, Oculus3D, which has created a 3D theatrical format that can use 35 mm projectors rather than requiring the more expensive digital projection equipment.
• His stats: outfitting 100 screens with digital 3D costs $1.5 million, while 100 screens using the Oculus 3D 35 mm technology runs $230,000.
• “If I’m right, and stereoscopic cinema becomes ubiquitous, does that mean all the smaller theaters go out of business?” he asked. “They need a solution, and they can’t afford digital.”

Among the other topics Lipton touched on in his half-hour talk:

• Cinema, along with photography and other visual arts, has always been three-dimensional.
• In the past, he pointed out, we got our cues about depth from the placement of objects, from vanishing points and perspective, from relative sizes.
• “The addition of the stereoscopic depth cue is an evolution rather than an innovation.”

Stereoscopic 3D is not new. Lipton showed a drawing of a 1923 movie theater using the “Teleview” system (left) to create a stereo image when viewed through special lenses – “the exact same idea,” he said, that was applied by Lipton and his colleagues in the early 1980s, and is currently used by systems like RealD.

By Steve Pond
Published: July 21, 2010

3D may be the bright shining future of the movie business, but at the moment it just isn’t bright enough. That’s not a metaphor. It’s the plain truth.

• 3D movies — whether they’re made using the process or converted in post-production — are simply screened at significantly lower light levels than 2D films.
• More and more often, it’s enough to hamper audience enjoyment, make filmmakers wary, and perhaps even slow down the acceptance of a format that is one of the movie industry’s great hopes for the future.
• When Roger Ebert blasted 3D in an article in Newsweek, for instance, one of the reasons he listed for disliking the format was “its image is noticeably darker than standard 2D.”

Even a movie like “Avatar,” which was shot in 3D using techniques that boosted the amount of light and compensated for the darkening process to come, was screened at light levels about half of a run-of-the-mill 2D film.
And the problems are exacerbated when a movie — like the disastrous “Clash of the Titans” — is made with no thought of 3D and hastily converted after-the-fact. “Titans”appeared so muddy that it prompted walkouts and no doubt scared some theatergoers away from the 3D experience entirely.

(Fewer and fewer moviegoers are making the 3D choice when they plunk down their money at the box office; see sidebar: “The Rise and Fall of 3D.”)

At the Hero Complex Film Festival in downtown Los Angeles in June, “Inception” director Christopher Nolan joined the 3D naysayers, saying that he refused to make his new film in the format largely because of the darkness problem.

• “On a technical level, it’s fascinating,” Nolan said of 3D, “but on an experiential level, I find the dimness of the image extremely alienating.”
• The 3D process, Nolan said, makes “a massive difference” in the brightness of the image. “You’re not aware of it because once you’re in that world, your eye compensates – but having struggled for years to get theaters get up to the proper brightness, we’re not sticking polarized filters in everything.”
• Nolan also got into the numbers, using “foot-lamberts” – the unit of luminance by which screen brightness is measured – to explain the difference between regular and 3D projection. But when he said that traditional 2D cinema is projected at 16 foot-lamberts, but 3D automatically loses three foot-lamberts, he was grievously underestimating the 3D effect.

In fact, a typical 3D system can lose as much as 80 percent or more of the light from a 2D system on the same screen, and result in an image projected at only two or three foot-lamberts.

“I think it’s a major problem for the audience appreciation of 3D,” says Lenny Lipton, a pioneer in the field since the early 1980s. “The principal complaint that audience members and industry people make is that it’s too dark.”

By Adam Frucci

Earlier today I reported on the unlikelihood that the next Batman movie will be in 3D. But is that a fluke or part of a trend? If box office numbers are any indication, it’s definitely the latter.

• Since the high-water mark of Avatar, where 71% of the revenue came from 3D screenings, numbers for big-budget 3D movies have plummeted to less than 50%.
• Obviously Avatar was a unique case in that it was basically sold as a 3D “experience,” so if you saw it in 2D you were missing out. But then three months later the animated How to Train Your Dragon pulled in 68% of its revenue from 3D screens, hardly a significant drop-off.
• Fast forward a mere four months and you have Despicable Me, another 3D animated kids movie, pulling in 45% of its revenue from 3D screens. As you can see by The Wrap’s chart below, it’s a pretty clear trend.

What’s this mean?

• It means that now that people have had a chance to experience 3D in theaters, they’re opting to spend $10 on a 2D screening rather than $15 on a 3D screening when given the option.
• It’s not great news for Hollywood studios that have sunk boatloads of money into 3D cameras and tech, but it’s much, much worse news for consumer electronics companies such as Sony and Panasonic who are betting the farm on people wanting to upgrade two-year-old HDTVs to 3D HDTVs.
• But if Hollywood finds that making 3D movies isn’t as profitable as they thought, they’ll stop doing it. And without that content, no one will have any reason to buy a 3D TV.

Sucks for them, but it’s good news for consumers who are voting with their wallets. No more inflated ticket prices and no need to buy a new TV for a feature no one ever really wanted? Sounds good to me. [The Wrap via Ebert]

Mobile Theater:

Digital Video Glasses with 50 Inch Virtual Screen and 4GB Flash Memory

• Put your private theater in your pocket or bag and take it everywhere!
• Imagine that you watch movies on a 50 inch cinema display while on the bus, in a park, in the subway station or during your trip.
• Wow, that is cool! Well, this dream has now become a reality thanks to the amazing portable video glasses.
• These magic video glasses will make you feel as if you are actually sitting in a real movie theater.

• These glasses are lightweight and comfortable enough to wear for a long time and support multiple task, eBook reading and picture browsing while playing music.
• It features multiple sound effect and loop mode available for choice and USB interface for easy file downloading and uploading.
• These glasses also come with 4GB internal flash memory for storing all your favorite media files as well as external TF card that can support up to 32GB.

Feature

• Music and movies can be saved and played on the trip
• 50inch virtual TFT LCD screen (2M distance) and high quality pictures display
• Support multiple task, eBook reading and picture browsing while playing music
• AV in, eBook and book mark function
• Comfortable wearing, light weighted
• Built-in 4GB flash memory and support up to 32GB TF card
• USB interface allows easy file downloading and uploading
• Multiple sound effect and loop mode available for choice

Specification

Primary function: Video glasses

Memory: built-in 4GB flash memory

Support TF card up to 32GB

Virtual display size: 50 inch TFT LCD virtual display (2M distance)

Screen Resolution: 320*240

File Format:

Video Format: RM/RMVB/VOB/AVI/FLV

Music Format: MP3/WMA/WAV/APE/FLAC

EBook Format: TXT

Picture format: JPEG, BMP, GIF

Working temperature: -5~+40 degree

Power Consumption: 0.9W

SNR >85db

Max power output of earphone: (L) 10mW + (R) 10mW

Language: Chinese, English, French, German, Italian, Spanish, etc.

Operating System: Win2000/XP/Vista

Dimension: 170*30*20mm

Weight: 100g

Color: black

Package Contents for Model:CWCA005C

1×Video glasses

1×Eyepatch

2×AV cable

1×AC Adaptor

2×Earphone

1×AV input cable

1×USB cable

1×Glasses pouch

1×User manual

CrystalEyes 5

Active Eyewear Overview
Shutter eyewear is used to enable stereo 3D viewing when synchronized to a compatible display. Stereoscopic 3D recreates the way we naturally see by creating perceived-depth on a flat (2D) surface. Fast-response opacity in each lens and liquid crystal quality determines 3D image clarity. RealD Pro has developed the optimal features for the best Stereo3D image clarity. RealD Pro products have been used for over 30 years by NASA, Boeing, BMW, DreamWorks, Disney and many other companies that integrate cutting-edge technology for product and content development in Stereo3D. Our products are guaranteed and include future compatibility.

Overview
RealD Pro designed its new CrystalEyes 5 with users in mind. The all-new CE 5 eyewear is lighter, more comfortable, and performance-accelerated for the most demanding all-day use, CE 5 will not cause eye strain or flicker, and is not prone to synch-signal interference from ambient light. Overmolded rubber arms are spring-loaded for optimal comfort and fit over prescription glasses. Dual view capability provides the most flexible viewing platform. CE 5 have integrated DLP® Link technology that synchronize to 3D-ready DLP® displays* -projectors or TV’s- without an emitter. Two-button control for power and 3D/Dual Channel mode with LED indicator put the user in full control.

Personal cinema eyewear/moving theater/video glasses

6 Similar

I‘m a manufacturer from mainland China,so i can provide you brand new,good quality,and low price products.video glasses…

Min. Order: 10 Sets

FOB Price: US $148-150 / Set

80 inch portable video glasses for mp4, ipod, iphone, ps2, ps3, XBOX,WII

2 Similar

video glasses, video eyewear for IPhone,ipod, mobile phone, DVD,MP4, PS2,WII,PS3,XBOX as large screen but light monitor…

Min. Order: 20 Sets

Personal cinema eyewear/moving theater/video glasses

6 Similar

I‘m a manufacturer from mainland China,so i can provide you brand new,good quality,and low price products.video glasses…

Min. Order: 10 Sets

FOB Price: US $148-150 / Set

Personal eyewear cinema/moving theater/video glasses/fashion gifts

6 Similar

I‘m a manufacturer from mainland China,so i can provide you brand new,good quality,and low price products.video glasses…

Min. Order: 10 Sets

FOB Price: US $148-150 / Set

Increase test scores. Teach in 3D!

3D ready projectors powered by DLP Technology from Texas Instruments are here. Nothing captures the attention of students like 3D. With a 3D curriculum, you can create a completely immersive environment in which your students can learn more and retain that information for higher test scores.

Arm your classroom with new 3D ready projectors powered by DLP Technology. With compelling 3D content for Biology, Geography, Science, History, Math and more, you’ll bring your curriculum to new levels of “Wow”. 3D ready projectors operate in standard 2D and 3D modes automatically and are virtually the same price as a standard projector.

So how does 3D projection work?

DLP technology uses millions of microscopic, digital mirrors that reflect light to create a stunning picture for the best projectors on the market. This imaging technology is so fast, it can actually produce TWO images on the screen at the same time: One for the “left” eye and one for the “right” eye. Then 3D glasses combine the two images to create an amazing 3D effect:

For full selection and purchase please refere to the following table: 3D Projectors & Accessories

DepthQ^® Polarization Modulators

The new DepthQ^® Polarization Modulator electronically switches the polarization orientation of light passing through it. In combination with a polarization-preserving screen and a single-lens stereoscopic 3D projector like the DepthQ^® HD 3D Projector, this enables high-brightness, low-ghost viewing using lightweight & comfortable passive 3D eyewear.

Google will have its own laptop, possibly, 3D

By Alastair Stevenson | May 16, 20

Having only just revealed the Samsung Series 5 as the first machine to make use of the its new Chrome OS, Google has now confirmed that the mobile network provider Three will be its official UK running partner at launch.

Laptop computers using Google’s (GOOG.O) Chrome operating system will go on sale in June, as the world’s No. 1 Internet search engine challenges Microsoft Corp (MSFT.O) and Apple (AAPL.O) on their home turf.

• While computer manufacturer Acer will be producing its own “Chromebook” later this year, the Samsung Series 5 will be the first new generation “Chromebook” to run using the new cloud-based operating system.
• As opposed to Windows’ or Apple’s operating systems the Chrome OS will run all software through the worldwide web.
• If Google’s initial promises are to be believed, by taking this alternative approach, not only will the machine be able to squeeze every possible bit of power out of its components, it will also be protected from several of the most prolific cyber threats, including viruses and spyware.
• Additionally, as there is no immediate OS to run up, Samsung has revealed that the forthcoming Series 5 will be able to start-up in under 10 seconds flat.
• The 12.1-inch Series 5 is currently set to be released packing a 1.66GHz Intel Atom N570 dual-core processor, 2GB of DDR3 RAM and 16GB of storage, 8.5 hours of battery life, two USB slots, an SD card slot and space to insert a SIM card for 3G internet access.
• The recently confirmed deal with Three means that as well as the above, the “Chromebook” will come pre-installed with a Three SIM card generously loaded with3GD of free data — though this data sadly must be used within three months of activation or be lost.
• After the initial three months — or before depending on how heavily the 3G connectivity is used — Google confirmed that there will be several top-up packages available for the Three SIM.
• Interestingly neither Google nor Three have at any point used the work “exclusive” when discussing the deal, meaning that upon the Series 5′s UK launch on 24 June and Acer’s later in the year, there could well be other networks offering similar or even better deals.

____________________________________________________________________

Customer Reviews Of 3D TVs

Get US 3D TV Reviews Get UK 3D TV Reviews Get Canada 3D TV Reviews

Surprisingly as it may seem, 3D technology isn’t new. In fact, the first 3D movie first appeared as early as 1922. However, the fusion of technology and art form has come a long way from disposable cardboard glasses, red and blue lenses, and fuzzy, gimmicky images.